An ontology of art

May 23,  · The term ontology in information science arises from philosophy where it represents “the science of what is” (Smith 2004, p. 155).More specifically, the concept of the kinds and structures of objects, properties, events, processes, and relations in every area of reality (Smith 2004) is used to add meaning in the context of information science.. In philosophy,

Timothy Morton Features 10 December ArtReview. Chris Wainwright, 'Red Ice', , c-type print. Courtesy the artist. From the ArtReview archives: one of the thinkers associated with 'object-oriented ontology' argues that we've been thinking wrongly about art since the beginning of the Anthropocene. For object-oriented ontology

Download Citation | On Jul 7, 2005, Amie L. Thomasson published The Ontology of Art and Knowledge in Aesthetics | Find, read and cite all 

A schematic mapping of questions and positions is provided and reference is made to neglected, earlier contributions to the ontology of art. 1. Do works of art exist? 1.1 Realism 1.2 Modes of being and existence 1.3 The Imagination and fictionalism 1.4 Intermittence 1.5 Idealism 1.6 Elimination 2. Monism and its rivals

An Ontology of Art (Studies in Contemporary Philosophy): The book will be of interest to philosophers, aestheticians, and historians of art.

Hartmann's central thesis on the ontology of art is that works are fictions that depend upon the perceptual and imaginative activities of 

The term ontology in information science arises from philosophy where it represents "the science of what is" (Smith 2004, p. 155).More specifically, the concept of the kinds and structures of objects, properties, events, processes, and relations in every area of reality (Smith 2004) is used to add meaning in the context of information science.. In philosophy, there is no unique definition

An Ontology of Art [Currie, Gregory] on Amazon.com. *FREE* shipping on qualifying offers. An Ontology of Art

Art is charisma, pouring out of anything whatsoever, whether we humans consider it to be alive or sentient or not." For Morton, the normative modes for thinking and talking about art ignore the agency (which he terms charisma) of the art object as well as its status as a thing that stands separate from (and equal to) all others.

An Ontology of Art book. By Gary P. Bagnall. Book Law as Art. Click here to navigate to parent product. Edition 1st Edition. First Published 1996. Imprint Routledge. Pages 30. eBook ISBN

I will argue that curated exhibitions are an ontological hybrid: a combined ontological entity. The hybrid theory maintains that a curated exhibition comprises